A survey from Marx to Barad
Why a seminar on media and materiality, now?
Read: Benjamin, “Theses on the Philosophy of History” (1940/74)
Case study: Parker, Cold Dark Matter: An Exploded View (1991)
Where are work, labour, and action?
Read: Marx, from Notebook M (1857) and the Fragment on Machines (1858); Arendt, from The Human Condition (1958)
Case study: Molleindustria (2003-)
Why rhythms rather than images or artifacts?
Read: Simmel, from The Philosophy of Money (1900/78); Shklovsky, “Art as Device” (1917)
Case study: Boym, 16-Second Art (n.d.)
From act to field? From expression to network?
Read: Merleau-Ponty, “Eye and Mind” (1961/93); Barthes, “From Work to Text” (1971/77)
Case study: Grigar and Moulthrop, Pathfinders (2013-)
Whether and how to untie the knots?
Read: Foucault, from The Archaeology of Knowledge (1969/72); Williams, from Television (1975)
Case study: Maire, The Memory Cone (2010)
Suppressed or shared experiences? Through which mechanisms?
Read: Cixous, “The Laugh of the Medusa” (1975/76); Lorde, “Uses of the Erotic” (1978/84) and “The Mater’s Tools Will Never Dismantle the Master’s House” (1979/81)
Case study: cárdenas, “Shifting Futures” (2015)
Due: Portfolio (first three response papers)
Inner and outer worlds, but for whom?
Read: Kristeva, from Powers of Horror (1982); Butler, from Gender Trouble (1990)
Case study: Bachzetsis, Private (2016)
What makes a cut or affords a feeling?
Read: Moten, from In the Break (2003); Sedgwick, from Touching Feeling (2003)
Case study: Scott, Untitled (1991)
How does ephemerality endure? How do media point?
Read: Chun, “Did Somebody Say New Media?” (2006) and “The Enduring Ephemeral” (2008); Doane, “The Indexical and the Concept of Medium Specificity” (2007)
Case study: Dean, As Yet Untitled (1992-95)
Is there such a thing as unmediated things?
Read: Grosz, “The Thing” (2001); Brown, “Thing Theory” (2001); Appadurai, “The Thing Itself” (2006)
Case study: Arakawa and Gins, Procedural Architecture (1994-2008)
What’s between layers and sequences?
Read: Debray, from Media Manifestos (1994/96); Krauss, from A Voyage on the North Sea (1999)
Case study: Lee, Transformers: The Premake (2014)
How are matter and discourse also agency?
Read: Haraway, “Situated Knowledges” (1988); Barad, “Posthumanist Performativity” (2003)
Due: Portfolio (three more response papers)
The final portfolio (seven response papers plus a brief statement) is due by 19 December.